库恩国际推荐 | 龙凤呈祥竹节高玉笔筒5月香港拍卖会

笔筒是为文房雅器之一，中空以纳笔，是其最初也是延续至今的特质。“唯殷先人，有典有册”，发端甚早的中华文明，最自觉的将历史的经验加以勤奋的传承。书典必有刀笔，笔从人而行走撂握，久而久之，不便贮存携带，便有笔盒容纳，书案之上，则有笔筒承之。

Pen container is one of the elegant tools for the study, hollow to pen, is its original is still the characteristics of today. "Only Yin ancestors, there are books and records," the very early start of the Chinese civilization, the most conscious of the historical experience to the diligent inheritance. There must be a knife and pen in a book, and the pen can be held by people when they are walking. As time goes by, it is inconvenient to store and carry.

清代玉笔筒数量很多，玉笔筒体积较大，外表适宜雕琢图案，特别是按照文人绘画底稿雕琢的玉图画题材的流行，使玉笔筒成为表现玉雕工艺的重要载体，更促进了玉笔筒的生产。清代的皇家御用玉笔筒，则代表了当时玉笔筒制作的最高水平，以康熙、乾隆两朝的作品最为精湛。

In the qing dynasty, there were a large number of jade pen POTS, which were large in size and suitable for carving patterns in appearance. In particular, the popularity of the theme of carving jade pictures according to the literati's painting manuｓｃｒｉｐｔs made the jade pen POTS become an important carrier to express the jade carving process, and promoted the production of the jade pen POTS. The imperial jade penholder of the qing dynasty represented the highest level of the production of jade penholder at that time, with the most exquisite works of kangxi and qianlong dynasties.

现今古玩市场多见仿制品，鉴定笔筒是否为名家之作，先看笔筒时代风格，然后是皮包浆与雕工，后看款识。

近至明代，各类传世器逐渐增多，蔚为大观，朱彝尊曾作《笔筒铭》云：“笔之在案，或侧或颇，犹人之无仪，筒以束之，如客得家，闲彼放心，归于无邪。”一语道出了笔筒容毫纳笔的精神内核。明屠隆《文具雅编》载：“湘竹为之，以紫檀乌木棱口镶座为雅，余不入品”。又文震亨《长物志》笔筒专条云：“(笔筒)湘竹、棕榈者佳，毛竹以古铜镶者为雅，紫檀、乌木、花梨亦间可用。”

Nowadays antique market sees copy more, appraise pen canister to make for the name, see style of pen canister times first, it is leather bag pulp and carver next, see paragraph recognition later.

As late as the Ming dynasty, various kinds of handed down vessels gradually increased and became more and more magnificent. Zhu yizun once wrote in the inｓｃｒｉｐｔion on the brush barrel: "on the record of the brush, or side or quite, there is no ceremony in people's mind. A word out of the pen container for the spiritual core of the pen. Ming tu long's "elegant stationery" contains: "for the xiangzhu, with rosewood ebony edge edge for elegant, I do not into the product. Wen zhenheng "changwu zhi" pen pot only cloud: "(pen pot) xiangzhu, palm is good, bamboo to bronze inlaid for elegant, rosewood, ebony, pear is also available.

从形制上看，到了清朝，笔筒的形制也发生了较大的变化。清顺治年间的笔筒一般体形较高，平底无釉，胎体厚重。到了清康熙年间，则体形略为降低，胎壁适中，底中央有一小圈下凹，涂白釉，凹圈外平坦，向外施一圈白釉，向内边的一圈则无釉。这种底形看上去似一玉璧形，所以，人们称之为“壁足”。到了清雍正、乾隆以后，笔筒则变得胎体略宽，胎壁也略薄，其底也由“平底”、“壁足”改为“圈足”。

From the shape and system, to the qing dynasty, the shape and system of the pen has also undergone great changes. Qing shunzhi years of the pen generally higher shape, flat - bottomed unglazed, thick body. To the qing kangxi years, the body shape is slightly reduced, moderate fetal wall, the bottom of a small circle of concave central, white glaze, concave ring outside flat, to the outside of a circle of white glaze, to the inside of a circle is unglazed. This bottom shape looks like a piece of jade jade, so people call it "wall foot". To the qing yongzheng, qianlong later, the pen tube becomes slightly wide body, the wall is also slightly thin, the bottom also by "flat", "wall foot" to "circle foot".

此件龙凤呈祥竹节高青玉笔筒外部有铜雕龙凤图案环绕，做工精细造形独特，玉质温润，呈竹节状寓意节节高升，是一件非常难得的精品，推荐收藏

This piece of dragon and phoenix chengxiang bamboo festival gao qingyu pen barrel is surrounded by bronze dragon and phoenix patterns on the outside, fine workmanship and unique shape, the jade quality is warm and moist, is a bamboo festival meaning rising, is a very rare boutique, recommended collection

本文章由库恩国际拍卖行大陆深圳征集处Aissen先生撰写。

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